JOHN GAJDECKI
On location for SIX
SPECIAL THANKS
No one does all this on their own. My wife and kids deserve a special shout out for their unwavering support. Below are some of the villagers I work with regularly because they are so darn good.
Shucks.
Click name below to open IMDb profile
Some artists have been working with me for almost two decades, and two others worked for three and four decades ! That's 20 to 40 years of really bad jokes and really great shots.
Everyone on the team in Greece were wonderful. The image covers most of the dept. heads on a tech scout, but the entire entire crew, from the office to set to post ( and especially transport ! ) were great.
I've been working with Tribal Imaging and Torchlight VFX from long before they were Tribal and Torchlight. Keri, Darren, Shawn, Max and the team really delivered on House of David, and all of the other projects we have done together.
Winston and his team always nail it every time - the work looks great, every shot every time. This makes me look great,
And that makes my clients look great,
Repeat.
Start of story.
Corey, Lawson and the whole Barnstorm team are just great.
End of story.
Goran and the team are ex Scanline artists who specialize in photoreal simulations. They did a fantastic job on the biggest shots from the final episode of Project Bluebook.
If the Academy ever establishes a category for Outstanding Achievement in Roto and Clean Up I know the shot I'd submit and you guys did it. Michael and his team at Blitz are true artists and indefatigable craftspeople. The best.
This is my sixth straight year working with Bejoy and his wonderful team on the most difficult clean up, roto and comps.
Matt once said you never knew who or what would come out of the elevators at the studio, a Vampire or Alien, a mutated monster or worse. But when out systems were down it was Matt Vondette who came out of the elevator, and we were all going to be OK.